Davinci resolve 14

Davinci resolve 14 DEFAULT

DaVinci Resolve Studio version 14.2.1 (Mac/PC)

• DaVinci Resolve Studio Mac v14.2.1 - 701 Mo
• DaVinci Resolve Studio Win v14.2.1 - 673,6 Mo
• Guide Utilisateur DaVinci Resolve 14 du 7 septembre 2017 - 38,8 Mo
• Guide de configuration DaVinci Resolve 14 Mac/PC/Linux - 3,2 Mo


Cette mise à jour logicielle intègre plus de 50 correctifs et améliorations de stabilité et performance et elle est recommandée pour tous les utilisateurs de DaVinci Resolve 14 Studio.

DaVinci Resolve 14.2.1 Studio offre de bien meilleures performances sur la page Edit lors de la génération des vignettes, une gestion correcte des sorties audio 5.1 et 7.1 pour les fichiers .WAV, un témoin de progression plus fiable lors de la création des média optimisés, plus d'une douzaine d'améliorations sur la page Audio Fairlight, une meilleure performance pour le visionnage en multicam, la possbilité de modifier les propriétés sur une sélection de clips en même temps, de nouveaux indicateurs de tracking pour le mode d'image dans les Power Windows, une amélioration de la stabilité lors des rendus CineForm et H.264, un encodage ProRes plus rapide, un décodage XAVC-I plus rapide.

Elle est recommandée pour tous les utilisateurs de DaVinci Resolve 14 Studio. Cette version nécessite un dongle DaVinci Resolve ou un code d’activation logiciel.


Nouveautés de DaVinci Studio 14.2.1

- Addressed an issue where playing frame-based clips in the Media page would not play the synced audio
- Addressed an issue where Resolve would sometimes not output audio on certain pages in macOS
- Addressed an issue where audio formats for stereo, 5.1 and 7.1 were not set correctly when rendering WAV files
- Addressed an issue where rendered adaptive tracks were incorrectly tagged as stereo, 5.1 or 7.1 formats
- Addressed an issue where changing clip audio properties in the Inspector would not work correctly when multiple clips were selected
- Addressed an issue where deleting a volume keyframe and performing an undo would not restore the smoothening applied
- Addressed an issue where the source meters would sometimes not reflect the correct number of channels for clips with audio
- Addressed an issue where the Fairlight viewers would show a still image during playback when monitoring with a Blackmagic Design capture and playback device
- Addressed an issue where render jobs could not be added for audio only timelines
- Addressed an issue where rendered media files would sometimes have blank audio on the first video frame
- Addressed an issue with marking render ranges when rendering an audio-only timeline on the Delivery page
- Addressed a crash when adding a marker to a clip with cross-fades
- Addressed an issue where moving an audio clip on the Fairlight page would sometimes result in a crash
- Addressed an issue where the metadata widget would remain blank when clips were selected on the Fairlight page
- Addressed an issue where audio FX applied on clips inside a nested timeline would sometimes not get saved
- Addressed an issue where deleting an audio clip in a layered track and performing an undo would restore it in an incorrect layer
- Addressed an issue where resetting audio properties in the Inspector would not fully reset the clip equalizer
- Clips dragged on to the timeline no longer update the position of the playhead
- Addressed an issue where viewers would become blank when Video Scopes were enabled in Edit page
- Addressed a crash when decomposing compound clips from certain timelines imported using XML or AAF
- Addressed an issue where reimporting EDLs exported from Resolve would cause a crash
- Addressed an issue where performing an undo on a take selector action would sometimes result in a failure to save the project
- Clip names stored in EDL comments are also available as a render tag
- Power Windows with tracking now also have an indicator on the viewer overlay to show when they are in frame mode
- Addressed an issue where reconforming to a clip at a different source resolution would result in misaligned power windows in some cases
- Addressed support for DCDM ACES Output Transform with gamut clipped to P3 per SMPTE spec
- Addressed an issue where stills grabbed on a project migrated from Resolve 12.5 project would not be saved
- Addressed an issue where loading gallery stills would sometimes take a long time
- Addressed an issue where some stills would show a black frame when wiping
- Addressed an issue where node cache would sometimes incorrectly be invalidated when rippling color parameters
- Addressed an issue where the Dolby Vision CMU would be in pass-through mode until the trim metadata was modified
- Addressed an issue where qualifier controls remained editable when disabled
- Addressed an issue where Intel graphics hardware would not be recognized as OpenCL compatible with the latest drivers on Windows
- Addressed an issue where the Generate Optimized Media progress dialog would sometimes disappear before the operation completed
- Addressed an issue where performing a Save As after a failure to save a project would sometimes result in the original project disappearing
- Addressed an issue where selecting multiple titles in certain timelines would result in a crash
- Addressed an issue where deleting timelines in some projects would result in a crash
- Addressed an issue where Blackmagic Design Capture and Playback devices would not be detected on older drivers on Windows
- Addressed a crash when enabling 4:4:4 SDI monitoring with certain Blackmagic Design capture and playback devices
- Addressed an issue where viewers would become blank when enabling Data Burn Ins and monitoring with a Blackmagic Design capture and playback device
- Addressed an issue with network connectivity on the JLCooper Eclipse panel
- Addressed an issue where changing the source folder or relinking clips in the Media Pool would not affect the associated matte clips unless they were explicitly selected
- Addressed a crash when rendering to Cineform at certain resolutions such as 2K DCI Flat
- Addressed a crash when decoding some H.264 clips
- Addressed an issue where colorspace metadata was exported incorrectly when rendering MXF clips
- Addressed an issue with default brightness levels when decoding RAW formats from some still cameras
- Addressed a crash with decoding some high resolution XAVC clips on certain system configurations
- Addressed inability to render multiple mono audio tracks to the MXF OpAtom container
- Improved encoding speeds when rendering to Apple QuickTime ProRes
- Improved decoding speeds with XAVC-I media
- Addressed performance degradation when using CUDA compatible OpenFX plugins
- Addressed an issue where Edit page playback response would be delayed during thumbnail generation
- Addressed an issue with viewer performance on multicam clips on certain system configurations
- General performance and stability improvements
- Améliorations générales des performances et de la stabilité


Configuration minimale requise pour Mac

- macOS 10.12.6 Sierra
- 16 Go de mémoire vive recommandée
- Blackmagic Design Desktop Video version 10.4.1 ou supérieur
- CUDA Driver version 8.0.63
- NVIDIA Driver en fonction des GPU utilisés
- RED ROCKET-X Driver version 2.1.34.0 et Firmware version 1.4.22.18 ou supérieur
- RED ROCKET Driver version 2.1.23.0 et Firmware version 1.1.18.0 ou supérieur


Configuration minimale requise pour Windows

- Windows 10 Pro 64 bits
- 16 Go de mémoire vive recommandée
- Blackmagic Design Desktop Video version 10.4.1 ou supérieur
- Drivers NVIDIA/AMD – En fonction des GPU utilisés
- RED ROCKET-X Driver version 2.1.34.0 et Firmware version 1.4.22.18 ou supérieur
- RED ROCKET Driver version 2.1.23.0 et Firmware version 1.1.18.0 ou supérieur


Configuration minimale requise pour Linux

- CentOS 6.8
- 32 Go de mémoire vive recommandée (16 Go étant le minimum supporté)
- Blackmagic Design Desktop Video version 10.4.1 ou supérieur
- NVIDIA/AMD Drivers - En fonction des GPU utilisés
- RED ROCKET-X Driver version 2.1.34.0 et Firmware version 1.4.22.18 ou supérieur
- RED ROCKET Driver version 2.1.23.0 et Firmware version 1.1.18.0 ou supérieur


Mise à niveau du serveur de base de données PostgreSQL sur Mac

Jusqu'à DaVinci Resolve 12.5.2, le programme d'installation Mac comprenait PostgreSQL version 8.4.2. A partir de macOS Sierra 10.12, PostgreSQL version 8.4 n'est plus pris en charge. Si vous avez prévu d'installer cette dernière version de système, il sera nécessaire de mettre à jour le serveur PostgreSQL en version 9.5.4 avant de mettre à jour macOS. Une fois que votre installation PostgreSQL a été actualisée et vos données mises à jour, vous pouvez enchainer avec la mise à jour de macOS.

Afin de faciliter la mise à niveau de PostgreSQL sur votre Mac, Blackmagic fournit des applications qui peuvent être téléchargés ici:

/Library/Application Support/Blackmagic Design/DaVinci Resolve/Upgrade PostgreSQL folder

A partir de DaVinci Resolve 12.5.3, les nouvelles installations incluent PostgreSQL version 9.5.4.


Installation du logiciel DaVinci

Il suffit de double cliquer sur l'icône DaVinci Resolve Installer puis de suivre les instructions qui vous sont présentées à l'écran. Redémarrez l'ordinateur après installation.

Afin de supprimer DaVinci Resolve de votre configuration, double-clic sur l'icône "Uninstall Resolve" à partir du dossier DaVinci Resolve dans le dossier Applications.


Informations complémentaires

Consultez www.blackmagic-design.com pour obtenir des informations complémentaires sur les différentes configurations certifées.

Sours: https://www.atreid.com/davinci-resolve-studio-version-14.2.1-mac-pc.html
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DaVinci Resolve 17

DaVinci Resolve 17

Professional Editing, Color, Effects and Audio Post!

  • Download Now
  • DaVinci Resolve is the world’s only solution that combines editing, color correction, visual effects, motion graphics and audio post production all in one software tool! Its elegant, modern interface is fast to learn and easy enough for new users, yet powerful for professionals. DaVinci Resolve lets you work faster and at a higher quality because you don’t have to learn multiple apps or switch software for different tasks. That means you can work with camera original quality images throughout the entire process. It’s like having your own post production studio in a single app! Best of all, by learning DaVinci Resolve, you’re learning how to use the exact same tools used by Hollywood professionals!

  • Download Now
  • Professional Editing, Color, Effects and Audio Post!

    Hollywood's #1 Post Solution

    High end professionals working on feature films and television shows use DaVinci Resolve more than any other solution! That’s because it’s known for incredible quality and creative tools that are light years beyond the competition. You get DaVinci’s Emmy™ award winning image technology with 32‑bit float processing, patented YRGB color science and a massive wide gamut color space for the latest HDR workflows. You also get the legendary quality of Fairlight audio processing for the best sound in the industry! With DaVinci Resolve, you get the same exact tools professional colorists, editors, VFX artists and sound engineers use every day to finish your favorite films and streaming television shows!

    Hollywood's #1 Post Solution
    What's New in DaVinci Resolve 17

    What's New in DaVinci Resolve 17

    DaVinci Resolve 17 features new image processing for the latest wide gamut HDR, a powerful audio engine, immersive 3D audio workflows and more! Colorists get new HDR grading tools, AI based magic mask and more. Fairlight upgrades mouse and keyboard based edit selection tools along with Fairlight audio core, a high performance audio engine that supports 2,000 tracks on a single system! Editors get a new metadata based "slate" view with bin dividers to organize and find footage faster, zoomed waveforms for audio editing, smart reframing, proxies, live effect previews and more. In addition, effects, titles or transitions created on the Fusion page can be used on the edit and cut pages! Learn More

    All In One Solution for Post Production

    DaVinci Resolve is divided into "pages," each of which gives you a dedicated workspace and tools for a specific task. Editing is done on the cut and edit pages, visual effects and motion graphics on the Fusion page, color correction on the color page, audio on the Fairlight page, and media organization and output on the media and deliver pages. All it takes is a single click to switch between tasks!

    media
    cut
    edit
    fusion
    color
    fairlight
    deliver

    Edit

    The world's fastest and most advanced professional NLE.

    The edit page is the world’s most advanced professional non-linear editor. The familiar track layout, dual monitor design and traditional workflow makes it easy for new users to learn while still being powerful enough for professional editors. It’s perfect for larger projects such as feature films, television shows, streaming, commercials, documentaries and more. The edit page features drag and drop editing, context sensitive automatic trimming tools, fully customizable keyboard shortcuts so you can work faster, and a library full of hundreds of titles, transitions, and effects that you can add and animate. You also get complete media management, organization and timeline management tools. Learn More

    Edit

    Automatic
    Smart Bins

    Stacked and Tabbed Timelines

    Live
    Effects Preview

    Smart
    Trim Tools

    Fast
    Proxy Editing

    Cut

    Designed for editors to turn around work fast!

    The cut page is perfect for projects with tight deadlines that you have to turn around quickly. It’s also great for documentary work. The cut page has a streamlined interface that’s fast to learn for new users and designed for speed. Features such as source tape, dual timelines, fast review, and smart editing tools help you work faster than ever. The sync bin and source overwrite tools are the fastest way to edit multicam programs, making it easy to create perfectly synchronized cut aways! Everything on the cut page is action based so every click does something. That means you’ll spend more time editing and less time hunting for commands. Plus, the scalable interface is great for portable editing! Learn More

    Source Tape

    Source Overwrite

    Audio Trim View

    Smart Reframe

    Multicam Editing

    Color

    Hollywood’s favorite color corrector!

    The DaVinci Resolve color page is Hollywood’s most advanced color corrector and has been used to color and finish more high end feature films and television shows than any other system! It’s also approachable with exciting new features designed to make it easier for new users to get great results while they continue to learn the advanced tools. For example, new primary control sliders will be familiar to anyone that’s used image editing software, making it easy to adjust contrast, temperature, midtone detail, saturation and more. The color page has an incredible range of primary and secondary color grading features including PowerWindows™, qualifiers, tracking, advanced HDR grading tools and more! Learn More

    HDR Color Wheels

    Custom Curves

    Node Editor

    Power Windows

    Open FX

    Fusion

    Cinematic quality visual effects and motion graphics!

    The Fusion page lets you create cinematic visual effects and broadcast quality motion graphics right inside of DaVinci Resolve! Fusion features a node based workflow that makes it faster and easier to create sophisticated effects and animations than you could ever create using a layer based approach. You get hundreds of 2D and 3D tools for visual effects and motion graphics, along with advanced animation curve and keyframe editors that allow you to create incredibly organic and realistic animations. Fusion has everything from point, planar and 3D camera tracking to rotoscope and keying tool for creating photorealistic composites, stunning animated titles, 3D particle systems and more! Learn More

    Working
    with Nodes

    True
    3D Workspace

    Animate 2D and 3D Titles

    Deep Pixel
    Compositing

    Virtual Set
    Extensions

    Fairlight

    Professional tools designed for audio post production.

    The Fairlight page features hundreds of pro tools for audio post production. It’s like having a professional digital audio workstation (DAW) built into your editing and color system! Familiar keyboard based editing tools let you work extremely fast, especially if you’re moving to Fairlight from another system. The incredible new Fairlight Audio Core lets you work with up to 2,000 tracks at a time with realtime effects, EQ, and dynamics processing! You get sample accurate editing tools, advanced ADR and Foley, and Fairlight FX such as reverb, de-esser, hum remover and more. You can mix and master stereo, 5.1, 7.1, and even the latest immersive 3D audio formats, all within the same project! Learn More

    Fairlight

    Professional ADR toolset

    Mix 2,000
    Tracks in Realtime

    Elastic
    Wave Retiming

    Fairlight FX
    and Plugins

    Free
    Sound Library

    Media andDelivery

    Incredibly wide format support, finishing and mastering!

    The media and delivery pages have everything you need to import, manage and deliver final projects. While you can import and organize footage into bins on both the cut and edit pages, the media page gives you a dedicated full screen workspace so you can focus on preparing footage, syncing clips, organizing footage into bins and adding metadata before you start editing. The media page also lets you clone camera media cards for backup purposes. The quick export tool lets you output and upload files to YouTube, Vimeo and Twitter from anywhere in the software, but the deliver page gives you total control over all encoding options and formats, along with a render queue for exporting multiple jobs! Learn More

    Automatic
    A/V Syncing

    Smart Metadata
    Management

    Render Options

    Remote
    Rendering

    Workflow Plugins

    DaVinci Resolve Studio 17 features over 100 GPU and CPU accelerated Resolve FX in categories such as blurs, light effects, noise, image restoration, beauty enhancement, stylize and more! Version 17 adds 11 new plugins for texture pop, detail recovery, creating video collages, 3D keyer, HSL keyer, luma keyer, smear, motion trails, noise reduction, image transforms and false color. The video collage plug-in is perfect for picture in picture zoom style videos, virtual choirs and more! There are also improvements to the object removal, dead pixel fixer, dust buster, blur and film grain plug‑ins. All Resolve FX can be animated using the new unified inspector on the cut, edit and Fusion pages!

    Resolve FX
    Resolve FX

    DaVinci Neural Engine

    The DaVinci Neural Engine uses state of the art deep neural networks and machine learning, along with artificial intelligence to power features such as facial recognition, object detection, smart reframing, speed warp retiming, super scale up‑scaling, auto color and color matching and more! The DaVinci Neural Engine is entirely cross platform, using the latest GPU innovations for AI and deep learning to provide unparalleled performance and quality. The DaVinci Neural Engine provides simple tools to solve complex, repetitive and time consuming problems. For example, it enables facial recognition to sort and organize clips into bins based on people in the shot, to reframe shots and more.

    DaVinci Neural Engine

    Works with 3rd Party Plug‑Ins and Storage

    With all of the different workflows and systems available, you need a post production solution that’s compatible and open enough to handle anything! DaVinci Resolve can be used with any type of storage ranging from direct attached hard drives to NAS and SAN systems. You can extend DaVinci Resolve with third party Open FX and audio plug-ins, or add third party title and motion graphics templates. New workflow integration and encoding APIs let developers integrate workflow and asset management systems with DaVinci Resolve. Plus, it works with all major file formats and post production software, making it easy to move files between DaVinci Resolve, Final Cut Pro X, Media Composer, and Premiere Pro.

    DaVinci Resolve is the only solution that lets you grow and build your own multi user post production studio! It’s designed for collaboration so as you get more work or larger jobs, you can add users and all work on the same projects at the same time. Everything is managed by a powerful multi user database and universal timeline so editors, colorists, VFX artists, animators and sound engineers can all work together. Best of all, you no longer have to import and export files, translate projects, lose work, or conform and manage changes. DaVinci Resolve is the only application in the world that lets everyone work together in parallel on the same project and at the same time! Learn More

    Multi User Collaboration

    Update
    Notifications

    Clips and
    Bin Locking

    Timeline
    Comparison

    Multi User
    Timelines

    Built In Chat

    DaVinci Resolve Editor Keyboards

    DaVinci Resolve keyboards have been designed as an alternative way to edit that’s much faster than a mouse because you can use both hands at the same time! The DaVinci Speed Editor features dedicated edit function keys on the left and a high quality search dial with electronic clutch and transport controls on the right. You can use the search dial and source tape buttons with your right hand to locate shots, while simultaneously marking in and out points, performing edits and live trimming with your left hand. All without touching the mouse! The DaVinci Resolve Editor Keyboard adds a QWERTY keyboard with color coded shortcut keycaps, designed for editors who spend hours each day editing. Learn More

    DaVinci Resolve Speed Editor - $295

    DaVinci Resolve Editor Keyboard - $995

    DaVinci Resolve Color Panels

    DaVinci Resolve color panels let you adjust multiple parameters at once so you can create unique looks that are impossible with a mouse and keyboard. The incredibly small DaVinci Resolve Micro Panel is great for new colorists just getting started or anyone that needs a portable panel. It features three high quality trackballs, knobs for primary adjustment controls and buttons for playback and navigation. The DaVinci Resolve Mini Panel features additional controls and screens for accessing virtually all palettes and tools. For the ultimate in control, the DaVinci Resolve Advanced Panel gives high end professional colorists access to every single feature and command mapped to a specific button! Learn More

    DaVinci Resolve Mini Panel

    DaVinci Resolve Micro Panel

    DaVinci Resolve Advanced Panel

    Fairlight Professional Audio Consoles

    Designed in collaboration with professional sound engineers, Fairlight hardware consoles streamline your workflow, acting as a natural extension of the software. The intuitive, task based design adapts automatically, putting the controls you need right at your fingertips when you need them. That means you'll spend more time being creative and work faster than using just a mouse and keyboard! The Fairlight Desktop Console is a complete mixing console that’s ideal for use in home studios, small suites or on the road. You can also install Fairlight Studio Console components into your own desk or purchase a pre‑configured multi bay Fairlight console for dedicated audio suites and scoring stages! Learn More

    Download DaVinci Resolve Free!

    The best creative tools shouldn’t be limited to Hollywood. That’s why there’s a free version of DaVinci Resolve, so you can learn how to use the same tools that professional Hollywood artists use. DaVinci Resolve is designed to inspire creativity so you can focus on doing your best work. Once you learn the software and start using it for more work, you can purchase DaVinci Resolve Studio which adds tons of additional effects, 3D and more. Adding an editor keyboard, color control panel, or audio console lets you work even faster because you can use both hands at the same time, allowing you to be more creative and do things that are impossible with a mouse!

    DaVinci Resolve

    Hollywood’s most popular solution for editing, visual effects, motion graphics, color correction and audio post production, all in a single software tool for Mac, Windows and Linux!

    DownloadFree Download Now

    DaVinci Resolve Studio

    Includes everything in the free version plus DaVinci Neural Engine, stereoscopic 3D tools, dozens of extra Resolve FX filters and Fairlight FX audio plugins plus advanced HDR grading and HDR scopes.

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    Software

    DaVinci Resolve

    DaVinci Resolve 17

    Hollywood’s most popular solution for editing, visual effects, motion graphics, color correction and audio post production, all in a single software tool for Mac, Windows and Linux!

    Free

    Download Now

    DaVinci Resolve Studio

    DaVinci Resolve Studio 17

    Includes everything in the free version plus DaVinci Neural Engine, stereoscopic 3D tools, dozens of extra Resolve FX filters and Fairlight FX audio plugins plus advanced HDR grading and HDR scopes.

    $295

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    Editor Keyboards

    DaVinci Resolve Speed Editor

    DaVinci Resolve Speed Editor

    Includes large search dial in a design that includes only the specific keys needed for editing. Includes Bluetooth with battery for wireless use so it's more portable than a full sized keyboard!

    $295

    Find Reseller

    DaVinci Resolve Editor Keyboard

    DaVinci Resolve Editing Keyboard

    Full sized traditional QWERTY editor keyboard in a premium metal design. Featuring a metal search dial with clutch, plus extra edit, trim and timecode keys. Can be installed inset for flush mounting.

    $995

    Find Reseller

    Color Panels

    DaVinci Resolve Micro Panel

    DaVinci Resolve Micro Panel

    Low profile panel features 3 high resolution trackballs and 12 precision machined knobs to access the primary color correction tools. Includes buttons for common features and workspace navigation.

    $1,025

    Find Reseller

    DaVinci Resolve Mini Panel

    DaVinci Resolve Mini Panel

    This model includes the features of the micro panel model plus two LCDs with menus and buttons for switching tools, adding color corrector nodes, applying secondary grades and using Power Windows.

    $3,079

    Find Reseller

    DaVinci Resolve Advanced Panel

    DaVinci Resolve Advanced Panel

    Designed in collaboration with professional Hollywood colorists, the DaVinci Resolve Advanced Panel features a massive number of controls for direct access to every DaVinci color correction feature.

    $29,995

    Find Reseller

    Fairlight Audio Consoles

    Fairlight Desktop Console

    Fairlight Desktop Console

    Portable audio control surface includes 12 premium touch sensitive flying faders, channel LCDs for advanced processing, automation and transport controls plus HDMI for an external graphics display.

    $3,595

    Find Reseller

    Fairlight Desktop Audio Editor

    Fairlight Desktop Audio Editor

    Get incredibly fast audio editing for sound engineers working on tight deadlines! Includes LCD screen, touch sensitive control knobs, built in search dial and full keyboard with multi function keys.

    $4,395

    Find Reseller

    Fairlight Console Bundle 2 Bay

    Fairlight Advanced Consoles

    Used by Hollywood and broadcast, Fairlight consoles make it possible to mix large projects with a massive number of channels and tracks. Modular design allows customizing 2, 3, 4, or 5 bay consoles!

    From $21,995

    Find Reseller

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    Fairlight Studio Console Bundles

    Fairlight Console Bundle 2 Bay

    Complete Fairlight studio console with 1 channel fader, 1 channel control, 1 audio editor, 2 LCD monitors and 2 bay chassis.

    $21,995

    Find Reseller

    Fairlight Console Bundle 3 Bay

    Complete Fairlight studio console with 2 channel faders, 2 channel controls, 1 audio editor, 3 LCD monitors and 3 bay chassis.

    $29,995

    Find Reseller

    Fairlight Console Bundle 4 Bay

    Complete Fairlight studio console with 3 channel faders, 3 channel controls, 1 audio editor, 4 LCD monitors and 4 bay chassis.

    $39,995

    Find Reseller

    Fairlight Console Bundle 5 Bay

    Complete Fairlight studio console with 4 channel faders, 4 channel controls, 1 audio editor, 5 LCD monitors and 5 bay chassis.

    $48,995

    Find Reseller

    Fairlight Console Chassis Leg Kit 0 Deg

    Fairlight studio console legs at 0º angle for when you require a flat working surface. Required for all Fairlight Studio Consoles.

    $395

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    Fairlight Console Chassis Leg Kit 8 Deg

    Fairlight studio console legs at 8º angle for when you require a slightly angled working surface. Required for all Fairlight Studio Consoles.

    $395

    Find Reseller

    Fairlight Studio Console Individual Modules

    Fairlight Console Channel Fader

    Features 12 motorized faders, rotary control knobs illuminated buttons for pan, solo, mute and call, plus bank select buttons.

    $4,595

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    Fairlight Console Channel Control

    12 groups of touch sensitive rotary control knobs and illuminated buttons, assignable to fader strips, single channel or master bus.

    $2,495

    Find Reseller

    Fairlight Console Audio Editor

    Get quick access to virtually every Fairlight feature! Includes a 12” LCD, graphical keyboard, macro keys, transport controls and more.

    $4,395

    Find Reseller

    Fairlight Console LCD Monitor

    Features HDMI, SDI inputs for video and computer monitoring and Ethernet for graphics display of channel status and meters.

    $1,195

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    Fairlight Studio Console Unpopulated Chassis

    Fairlight Console Chassis 2 Bay

    Empty 2 bay Fairlight studio console chassis that can be populated with various faders, channel controls, edit and LCD monitors.

    $8,595

    Find Reseller

    Fairlight Console Chassis 3 Bay

    Empty 3 bay Fairlight studio console chassis that can be populated with various faders, channel controls, edit and LCD monitors.

    $9,595

    Find Reseller

    Fairlight Console Chassis 4 Bay

    Empty 4 bay Fairlight studio console chassis that can be populated with various faders, channel controls, edit and LCD monitors.

    $10,995

    Find Reseller

    Fairlight Console Chassis 5 Bay

    Empty 5 bay Fairlight studio console chassis that can be populated with various faders, channel controls, edit and LCD monitors.

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    DaVinci Resolve Studio version 14.1 (Mac/PC)

    • DaVinci Resolve Studio Mac v14.1 - 671 Mo
    • DaVinci Resolve Studio Win v14.1 - 661,2 Mo
    • Guide Utilisateur DaVinci Resolve 14 du 7 septembre 2017 - 38,8 Mo
    • Guide de configuration DaVinci Resolve 14 Mac/PC/Linux - 3,2 Mo


    Cette mise à jour logicielle intègre une prise en charge des scopes vidéo sur la page Edit, des préréglages au sein des préférences, une amélioration du rendu du texte et la possibilité de faire glisser un fichier projet DaVinci Resolve .drp directement dans le gestionnaire de projets.

    Elle permet en outre de générer et de retrouver des proxies optimisés au sein des projets collaboratifs.

    La page Color offre désormais une prise en charge des groupes dans les projets collaboratifs et une amélioration de l’affichage de l’éditeur de nœuds.

    En ce qui concerne l’audio Fairlight, cette mise à jour permet de regrouper les pistes audio et offre un meilleur décodage audio AC-3 sur Mac et Windows.

    De plus, elle comprend également une prise en charge du traitement des couleurs RED IPP2 et du GoPro CineForm en tant que format de mise en cache et de média optimisé.

    Cette mise à jour offre en outre la nouvelle application Project Server ainsi que des améliorations de la mise en cache, de la performance générale et de la stabilité.

    Cette version nécessite un dongle DaVinci Resolve ou un code d’activation logiciel.


    Information importante pour la gestion des bases de données

    DaVinci Resolve 14.1 requiert une mise à jour de la base de donnée DaVinci Resolve 14.0.1 (ou des versions précédentes). Il est vivement recommandé de procéder à une sauvegarde de la base de données existante (DiskDB et PostgreSQL) avant d'effectuer la mise à jour.


    Surfaces de contrôle DaVinci Micro et Mini Panels

    A partir de la version 14.1, les Micro et Mini Panels nécessitent une mise à jour de programme interne.



    Nouveautés de DaVinci Studio 14.1

    - Added support for a new Project Server application to manage a local PostgreSQL server on macOS and Windows
    - Added support for presets for User Preferences
    - Added ability to simultaneously generate cache files for multiple cache points on a clip
    - Added ability to enable/disable caching of transitions in User Mode in Project Settings
    - Added ability to enable/disable caching of composites in User Mode in Project Settings
    - Added ability to retain the cache when moving clips with speed changes applied
    - Added support for excluding individual tracks from sequence cache in User mode
    - Added support for applying individual color attributes when dragging nodes from the Display Node Graph window
    - Added support for a zoom slider in the Display Node Graph window
    - Added support for accessing both the clip and the timeline node graph for a Still in the Display Node Graph window
    - Addressed an issue where right clicking on a wiped still and selecting apply grade would not work
    - Added an option in the panel settings to switch between classic DaVinci and vectorscope trackball alignment
    - Added support for displaying video scopes on the Edit page
    - Improved title text rendering quality
    - Improved playback and rendering performance on the Radeon Pro WX 9100 GPU
    - Added support for RED IPP2 color processing
    - Added support for decompression and debayer options for Red Rocket cards
    - Added initial Linked Group support for audio tracks
    - Added the ability to drag and drop .drp project files into the Project Manager
    - Added support for a project setting to switch track metering between source and post-fader
    - Added the ability to update the track color of multiple selected tracks on the Fairlight page
    - Surround sound audio channels are now included in the downmix to stereo buses and monitors
    - Added support for a Project Setting to automatically apply convergence to windows and effects in 3D stereoscopic projects
    - Added support for groups in the Color page on collaborative projects
    - Added support for generating and rediscovering optimized media in collaborative projects
    - Added support for viewing audio codec information in the Metadata widget
    - Added support for GoPro CineForm as a caching and optimized media format
    - Added support for higher resolution DNxHR formats for MXF-based Fusion Connect workflows
    - ResolveFX Warper is now GPU accelerated
    - Bus section in the Fairlight page meters is now scrollable
    - Added support for decoding enhanced AC-3 audio on macOS and Windows
    - Improved performance of viewer in Fairlight page
    - Improved behavior and interactivity of timeline and track index in the Fairlight page
    - Added support for 2-D scrolling on the Fairlight page
    - Added support for source audio clips at any sample rate
    - Added support for Dolby Vision trim on compounds clips and Fusion Connect clips
    - Added ability to perform audio only insert to a tape deck
    - Added ability to capture video and audio or video only from a tape deck
    - Addressed an issue where the audio and video would sometimes be out of sync when capturing from a tape deck
    - Addressed an issue where an incorrect frame would sometimes be inserted when performing an assemble edit on a tape deck
    - Addressed an issue where recording microphone input on some tracks would not persist the recorded clip
    - Addressed an issue where the length of a duration marker could not be modified on the Fairlight page
    - Addressed an issue where deleting a bus that is being monitored would result in incorrect control room behavior
    - Addressed an issue where Audio FX in a project would not be persisted if the the Audio FX was not installed
    - Addressed an issue where moving or pasting clips in the Fairlight page would sometimes remove the associated transitions
    - Addressed an issue where assigning an offline reference clip to a timeline would result in loss of audio
    - Addressed an issue where switching timelines would sometimes result in loss of audio
    - Addressed an issue where dynamics would not apply evenly across stereo and 5.1 tracks
    - Addressed an issue where unintended audio fades would sometimes be applied
    - Addressed an issue where there was sometimes a change in audio level when playing back on the Edit and Fairlight page
    - Addressed an issue when duplicating a timeline with layers would result in additional layers
    - Addressed an issue where layers inside a compound clip would not play the correct audio
    - Addressed an issue where moving an audio clip in subframe increments would not update waveform positions
    - Addressed an issue where playback of nested timeline clips would not honor the mute state of the track
    - Addressed an issue where the track volume slider in the Inspector would sometimes be disabled
    - Addressed an issue when using Alt/Option + click to switch multicam angles
    - Addressed an issue where trimming a freeze frame clip would sometimes crash
    - Addressed an issue where video only clips could sometimes not be dragged from the source viewer
    - Addressed an issue where flags and markers from existing projects would not be loaded correctly
    - Addressed an issue where a marker name change would sometimes not get saved
    - Addressed an issue where importing FCPXML files with a subframe video edit would sometimes cause a crash
    - Addressed an issue where exporting an XML from some timelines would cause a crash
    - Addressed an issue where rendering a clip with synced audio in Individual Clips mode would not render the synced audio
    - Addressed an issue where "Render at source resolution" would not apply ResolveFX Face Refinement correctly
    - Addressed an issue where Fusion Connect clips would be rendered without temporal noise reduction applied
    - Addressed an issue where saving a project would fail in certain collaboration scenarios
    - Addressed an issue with saving a collaboration project when overwriting a clip in certain scenarios
    - Addressed an issue in collaboration where switching clips on the Color page would sometimes not acquire a lock
    - Addressed various issues with tracking of Power Windows when working in Cinemascope
    - Addressed various issues with tracking of Power Windows when using Center crop with no resizing
    - Addressed an issue where stabilization would sometimes not work with Edit and Input sizing applied
    - Addressed an issue where the tracking would be applied incorrectly when changing the timeline resolution or the clip pixel aspect ratio
    - Addressed an issue the FX tracker would sometimes not work correctly when Input or Edit sizing was applied
    - Addressed issues with applying 3D LUTs when using Metal as the GPU processing mode
    - Addressed an issue where some OpenFX plugins would cause flashing of grades
    - Addressed a crash in certain scenarios when switching to the Key Palette on a matte node
    - Addressed issue with playback performance of large projects in the Color page
    - Addressed an issue where render at source resolution would not apply stabilization
    - Addressed an issue where some memories would show up as blank when reloading project from disk database
    - Addressed a crash when opening some stereo projects upgraded from DaVinci Resolve 12.5.6
    - Addressed an issue with importing some DaVinci Resolve 12.5 projects
    - Addressed an issue where easyDCP renders would cause a crash on macOS 10.13 High Sierra
    - Addressed an issue where the easyDCP KDM generation would not honor the validity dates specified
    - Addressed an issue where decoding certain long QuickTime clips would repeat a frame
    - Addressed an issue where QuickTime ProRes 4444 clips would sometimes lose the alpha channel during playback
    - Addressed a crash when trimming and copying AIFF clips using Media Management
    - Addressed an issue where decoding HEVC clips at 2048x858 would sometimes result in artifacts
    - Addressed an issue where certain MXF clips would show incorrect duration
    - Addressed an issue when decoding certain Sony clips in an ACEScc workflow
    - Addressed a performance issue when media managing a large number of clips from the same source folder
    - Addressed an issue where floating Media Pool windows would not get updated correctly when performing an undo
    - Addressed an issue where resizing the Media Pool would sometimes result in a crash
    - Addressed an issue where a clip with a split edit would not be stored correctly in the Media Pool
    - Addressed some UI issues when running Resolve in full screen mode on macOS
    - Addressed a crash when opening the Effects Library when duplicate plugins are installed
    - Addressed connectivity issues with the DaVinci Resolve Advanced panel on Linux
    - Addressed an issue where large projects would sometimes hang during load
    - General performance and stability improvements


    Configuration minimale requise pour Mac

    - macOS 10.12.6 Sierra
    - 16 Go de mémoire vive recommandée
    - Blackmagic Design Desktop Video version 10.9.7 ou supérieur
    - CUDA Driver version 8.0.63
    - NVIDIA Driver en fonction des GPU utilisés
    - RED ROCKET-X Driver version 2.1.34.0 et Firmware version 1.4.22.18 ou supérieur
    - RED ROCKET Driver version 2.1.23.0 et Firmware version 1.1.18.0 ou supérieur


    Configuration minimale requise pour Windows

    - Windows 10 Pro 64 bits
    - 16 Go de mémoire vive recommandée
    - Blackmagic Design Desktop Video version 10.9.7 ou supérieur
    - Drivers NVIDIA/AMD – En fonction des GPU utilisés
    - RED ROCKET-X Driver version 2.1.34.0 et Firmware version 1.4.22.18 ou supérieur
    - RED ROCKET Driver version 2.1.23.0 et Firmware version 1.1.18.0 ou supérieur


    Configuration minimale requise pour Linux

    - CentOS 6.8
    - 32 Go de mémoire vive recommandée (16 Go étant le minimum supporté)
    - Blackmagic Design Desktop Video version 10.9.7 ou supérieur
    - NVIDIA/AMD Drivers - En fonction des GPU utilisés
    - RED ROCKET-X Driver version 2.1.34.0 et Firmware version 1.4.22.18 ou supérieur
    - RED ROCKET Driver version 2.1.23.0 et Firmware version 1.1.18.0 ou supérieur


    Mise à niveau du serveur de base de données PostgreSQL sur Mac

    Jusqu'à DaVinci Resolve 12.5.2, le programme d'installation Mac comprenait PostgreSQL version 8.4.2. A partir de macOS Sierra 10.12, PostgreSQL version 8.4 n'est plus pris en charge. Si vous avez prévu d'installer cette dernière version de système, il sera nécessaire de mettre à jour le serveur PostgreSQL en version 9.5.4 avant de mettre à jour macOS. Une fois que votre installation PostgreSQL a été actualisée et vos données mises à jour, vous pouvez enchainer avec la mise à jour de macOS.

    Afin de faciliter la mise à niveau de PostgreSQL sur votre Mac, Blackmagic fournit des applications qui peuvent être téléchargés ici:

    /Library/Application Support/Blackmagic Design/DaVinci Resolve/Upgrade PostgreSQL folder

    A partir de DaVinci Resolve 12.5.3, les nouvelles installations incluent PostgreSQL version 9.5.4.


    Installation du logiciel DaVinci

    Il suffit de double cliquer sur l'icône DaVinci Resolve Installer puis de suivre les instructions qui vous sont présentées à l'écran. Redémarrez l'ordinateur après installation.

    Afin de supprimer DaVinci Resolve de votre configuration, double-clic sur l'icône "Uninstall Resolve" à partir du dossier DaVinci Resolve dans le dossier Applications.


    Informations complémentaires

    Consultez www.blackmagic-design.com pour obtenir des informations complémentaires sur les différentes configurations certifées.

    Sours: https://www.atreid.com/davinci-resolve-studio-version-14.1-mac-pc.html
    DaVinci Resolve 14 Editing

    Jump to: Board index » General » DaVinci Resolve

    DaVinci Resolve 14 download?

    Get answers to your questions about color grading, editing and finishing with DaVinci Resolve.

    Vaygrim

    • Posts: 1
    • Joined: Thu Apr 26, 2018 10:13 pm
    • Real Name: Jeremy Tully

    PostFri Apr 27, 2018 1:39 am

    Now that DaVinci Resolve 15 is in Public Beta, that's the free download being offered from the product's page. Is there any way to still get the download for the last version of DaVinci Resolve 14 that was available _just before_ the release of 15 Public Beta?

    Peter Chamberlain

    Blackmagic Design

    • Posts: 10944
    • Joined: Wed Aug 22, 2012 7:08 am

    PostFri Apr 27, 2018 3:46 am

    Yes, all of the old versions are still on the support web page.
    https://www.blackmagicdesign.com/suppor ... and-fusion
    left hand column

    DaVinci Resolve Product Manager

    Uli Plank

    • Posts: 11184
    • Joined: Fri Feb 08, 2013 2:48 am
    • Location: Germany and Indonesia

    PostFri Apr 27, 2018 11:21 am

    Just scroll…

    Don't approach Resolve with your expectations from other NLEs! They are all different.
    Resolve Studio 17.2.2 and Fusion Studio 17.2.1, macOS 11.5
    iMac 2017 Radeon Pro 580 8 GB VRAM, 32 GB, eGFX Breakway RX 580
    Mac mini M1, 16 GB RAM


    Return to DaVinci Resolve

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    Resolve 14 davinci

    Blackmagic DaVinci Resolve 14 Now Available for Download for Free, with New Features

    Blackmagic DaVinci Resolve 14 merges three applications into one, with faster video playback for editing, Fairlight audio engine support and new colour grading tools.

    Resolve 14

    First up in this update is the new video playback engine, which promises to deliver up to 10 times better performance and response when scrubbing the timeline and using JKL shortcuts. When working with CPU/GPU-heavy or compressed formats such as H.264, 4K, or multi-camera sequences, the 16-bit float playback will aid in smooth, real-time viewing of video clips in the timeline or in preview windows.

    To simplify the round-tripping workflow, Blackmagic Design has included the industry-standard Fairlight Audio engine into DaVinci Resolve 14, giving editors and audio professionals all the tools required to mix and master hundreds of audio tracks inside the software. Equalization, compression and dynamics, automation and mastering tools are all available, from mono up to 22.2 surround sound with 3D panning for a complete immersive audio experience.

    For colourists, more than 20 new effects have been added including a new stabiliser. Another new effect is the face refinement filter, which automatically recognises and tracks facial features. This is done without rotoscoping and can be used to adjust uneven skin tones, add natural colour and brighten eyes.

    Collaboration features will also allow editors, colourists and mixing engineers to all work on the same project file simultaneously. Collaborators can use clips others are working on, and even use a chat client to discuss progress with others. For large team productions, working simultaneously on a sequence in real time could save a lot of back-and-forth between team members. Once separate changes have been made, sequences can be compared and merged together with ease.

    There are many other handy features in the new update, including colour-assigned timeline tracks, undo history list, distortion and de-haze effects to name a few.

    Blackmagic Design DaVinci Resolve 14 is available to download for free here, but remember that this new update has just been released and there could be bugs or issues that have yet to be addressed. Some of the new features may only be available in the DaVinci Resolve Studio version, which at €259 is considerably cheaper than an Adobe Creative Cloud subscription.

    Will you be checking out the new features in DaVinci Resolve 14? Have you switched from another NLE to Resolve recently? Let us know in the comments.

    Sours: https://www.cined.com/blackmagic-davinci-resolve-14-now-available-for-download-for-free-with-new-features/
    Smart Cache \u0026 Proxy Mode ▪ DaVinci Resolve #14 - Poradnik ▪ Tutorial

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